It’s the one genre of music that I feel is pushing boundaries thanks to technology. It’s changing music, and it seems to be more prevalent than ever in mainstream music. What sort of cultural significance does electronic music carry? It’s cool now, but you know even just this, being in front of a camera right now, it’s uncomfortable. So that was just definitely something that’s been not super comfortable for me. I’ve never really been a performer or someone that has strived to be up on stage and in front of everyone. I love that I get to create for a living. What do you love and hate most about what you do? He’s a lumberjack, and he makes plug-ins on the side. There’s this one distortion thing I found by this guy who lives up in Canada. That requires a lot of experimentation and searching for weird plug-ins. To get strange sounds means you sometimes have to use technology in the way that it’s not supposed to be used. I found a log cabin in the woods there for a while. Another time, I again was just stuck on things in the studio, so I got a one way ticket to Tasmania, the bottom of Australia, and just drove around the national parks. I found this little beach and this hotel and ended up just having a little adventure by myself. So I kind of freaked out and one time I went to Mexico just solo and hired a car when I got there. What’s the most inspiring place you’ve traveled to?ĭoing Skin, there were a couple moments where I was going crazy because I couldn’t write. So it’s this challenge of me wanting to just be comfortable and live a life, but then also to make the art, I have to push myself out of my comfort zone, which often ends up with me just traveling by myself to places. When I get really comfortable, I’m not very inspired. Travel inspires me-getting out of my head, going to different places.
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